BIPOC Authors on Nature, Environmental Justice Booklist: Explore Our Special Collections

This is an early chapbook of former CU faculty Linda Hogan's poetry.

In From my land to the Planet the photographer tells us the story of his most famous reportages: the black and white portraits of unknown men and women, workers or refugees, and more recently his Genesis project aimed at the conservation of the most beautiful places of our planet. With a kindness and a disarming simplicity, Salgado rebuilds its path, exposes his beliefs, makes us sharers of his emotions. It turns out that his talent as a storyteller and the authenticity of a man who knows how to combine activism and professionalism, talent and generosity. Inside the book there are fascinating stories of Africa, Brazil, the Americas, Mozambique and Rwanda

"In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen." GENESIS is the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society--the land and life of a still-pristine planet.

Photographer Mathieu Asselin takes on the daunting task of exploring the controversial and infamous agricultural company, Monsanto, through investigative photography.

In this, her first book, LaToya Ruby Frazier offers an incisive photographic exploration of the legacy of racism and economic decline in America's small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political--an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations--her Grandma Ruby, her mother, and herself--against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape.

This work represents the first part of Sebastiao Salgado's project to chart the displacement of peoples across geographical and political boundries. In a series of photographs, Salgado shows the efforts of Brazilian peasants to survive in the face of joblessness and extreme poverty and to reclaim the land they see as their natural heritage.